Cintura, 1885 – 1890 circa (Ojibway)

Click here to view image

Author/ School/ Dating:

Belt, 1885 - 1890 about (Ojibway)

Technique and Dimensions:

Tanned leather, woven, glass ( covered point)

Belt on support in cotton with representation in beads of a house (towards the end of 800 were assigned houses in logs of wood to the Natives) and with zig-zag motifs (probably representing two waterways)

Gambali, 1885 circa (Ojibway)

Click here to view image

Author/ School/ Dating:

Gambali, 1885 circa (Ojibway)

Technique and Dimensions:

Woollen cloth (blue Stroud), woven, glass countryware (covered-stitch embroidery)

Leggings with embroidered floral motif (French in origin)

Gambali, 1885 circa (Ojibway)

Click here to view image

Author/ School/ Dating:

Leggings , circa 1885 (Ojibway)

Technique and Dimensions:

Woollen cloth (blue Stroud), woven, glass countryware (covered-stitch embroidery)

Leggings with embroidered floral motif (of French derivation)

Polsino, 1885 circa (fattura Ojibway, decorazione Cree)

Click here to view image

Author/ School/ Dating:

Cuff, approximately 1885 (Ojibway invoice, Cree decoration)

Technique and Dimensions:

Wool cloth (blue Stroud), wool, leather, fabric, glass countries (framed)

Copricapo maschile, 1880 circa (Ojibway)

Click here to view image

Author/ School/ Dating:

Male headdress, circa 1880 (Ojibway)

Technique and Dimensions:

Tanned leather, velvet, glass counties (covering point), Great Lakes goose feathers, cotton thread, animal fiber, metallic rattles, vegetable fiber.

Male headdress with floral embroidery (of French derivation )
The pens were sprayed indigo

Cintura, 1880 circa (Cree del Sud)

Click here to view image

Author/ School/ Dating:

Belt, about 1880 (Cree del Sud)

Technique and Dimensions:

Textile fabric, tanned leather, glass countrysides (covering stitch)

Belt with decorative diamond pattern called "diamond"

Fodero di pistola, 1885 circa, (Cree, Ojibway)

Click here to view image

Titolo dell'opera:

gun holster

Acquisizione:

Collezione Missioni Cattoliche Americane 1893

Author/ School/ Dating:

gun holster

Epoca:

XIX - 1891 - 1900

Inventario:

C.A.457

Provenienza (nazione):

Canada

Tecnica:

Il fodero per la pistola non faceva parte della tradizione autoctona, gli Indiani cominciarono a realizzarlo su modello dei foderi dei bianchi ma utilizzando materiali e tecniche propri della loro cultura.

Utilizzo:

Contenere la pistola

Descrizione:

DESO: Scabbard made of five pieces of leather, two for the back, one for the front, one for the bottom and one for the tongue, sewn together. The front surface and tongue are entirely covered with blue, light blue, yellow, red, pink and green glass beads forming concentric diamond geometric patterns bordered by transparent white beads. A border of pink, blue and blue glass beads in alternating bands covers the seams of the perimeter of the scabbard. Opening bordered by a hand-sewn strip of light brown and purple cotton with a button in the centre for closure. On the back, a strip of leather sewn vertically allows the scabbard to be inserted into the belt. Gun holsters were not part of the native tradition; the natives began to make it modeling it after the white men's holsters but using materials and techniques peculiar to their own culture.

Fodero di coltello,  1885 circa (Dakota dell’Est, Yankton)

Click here to view image

Titolo dell'opera:

knife sheath

Acquisizione:

Collezione Missioni Cattoliche Americane 1893

Author/ School/ Dating:

knife sheath

Epoca:

XIX - 1891 - 1900

Inventario:

C.A.516

Provenienza (nazione):

Canada

Tecnica:

Si utilizzavano due pelli conciate tagliate secondo la forma della lama che vi doveva essere inserita, e cucite insieme. La superficie del fodero poteva essere decorata con conterie di vetro policrome, frange, borchie, sonagli metallici e aculei di porcospino, che venivano divisi a seconda della misura, ammorbiditi in bocca e, presso alcune tribù, spaccati; quindi erano appiattiti con i denti o con le unghie. Per la conciatura la pelle veniva tesa su dei pioli e con un raschiatoio si eliminavano residui di carne e cartilagini, quindi veniva lasciata stesa al sole ad asciugare per parecchi giorni. A questo punto la pelle veniva capovolta per rimuovere il pelo, tenuta a mollo e strofinata con una mistura di grassi animali per ammorbidirla. Dopo averla lasciata nuovamente ad asciugare, veniva stirata e lavorata sulle due facce con una correggia ritorta di cuoio grezzo.

Utilizzo:

Contenere il coltello

Descrizione:

Scabbard made from two pieces of leather sewn together. Front surface entirely covered with yellow, red, dark and light blue, white and blue glass beads forming geometric patterns. A thread of blue glass beads covers the seam of the scabbard and the hem of the opening forming a scalloped edge.

Fodero di coltello, 1870 circa (Dakota dell’Est, Yankton)

Click here to view image

Author/ School/ Dating:

Knife sheath, circa 1870 (East Dakota, Yankton)

Technique and Dimensions:

Tanned cervid skin, tissue, porcupine spines (flattened with teeth or nails, dyed and sewn)

Sella maschile, 1880 circa (Ojibway)

Click here to view image

Author/ School/ Dating:

Male saddle, circa 1880 (Ojibway)

Technique and Dimensions:

Woollen, woollen, glass-beamed cloth (covered-stitch embroidery)

Male saddle with floral embroidery (French)

Subscribe to