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Case for awl, 1870 - 1875 circa (East Dakota, Yankton or Santee)
Leather, wood, glass count (stitch embroidery "lazy", covering stitch and festoncino embroidery)
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Case for awl, 1870 - 1875 circa (East Dakota, Yankton or Santee)
Leather, wood, glass count (stitch embroidery "lazy", covering stitch and festoncino embroidery)
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Amulet, circa 1880, (East Dakota, Santee)
Leather, cotton thread, glass count ("lazy" stitch embroidery)
Amulet - container for umbilical cord intended for girls in the shape of a prism, with decoration that recalls a stylized turtle
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Doll , 1880 circa (East Dakota)
Tanned cervid leather, fabric, wool, glass count ("lazy" stitch embroidery)
Doll. It was given to the girls at the age of one and a half. Usually it was made by the grandmother.
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vertical suspension cradle
Collezione Missioni Cattoliche Americane 1893
vertical suspension cradle
XIX - 1851
C.A.469/2
Sud Dakota (U.S.A.)
Si realizzava una struttura lignea composta di due asticelle in legno o si utilizzava un'asse che permetteva alla culla di rimanere rigida. Come copertura si utilizzava una pelle di cervide conciata, tagliata e cucita a mano in modo da formare una sacca priva della parte inferiore. Sui due lembi della parte superiore erano fissati dei legacci in pelle che permettevano di chiuderla intorno al bambino. L'esterno era decorato con aculei di porcospino che venivano divisi a seconda della misura, ammorbiditi in bocca e, presso alcune tribù, spaccati; quindi erano appiattiti con i denti o con le unghie. In un periodo più tardo, in seguito al contatto e ai conseguenti scambi con gli europei, gli aculei vennero sostituiti con conterie di vetro a formare motivi geometrici simbolici o decorazioni a figure zoomorfe. Per la conciatura la pelle veniva tesa su dei pioli e con un raschiatoio si eliminavano residui di carne e cartilagini, quindi veniva lasciata stesa al sole ad asciugare per parecchi giorni. A questo punto la pelle veniva capovolta per rimuovere il pelo, tenuta a mollo e strofinata con una mistura di grassi animali per ammorbidirla. Dopo averla lasciata nuovamente asciugare, veniva stirata e lavorata sulle due facce con una correggia ritorta di cuoio grezzo.
Ludica, predisposizione alla vita adulta. Porta-bebè. La madre vi poneva il neonato dopo aver imbottito il fondo di muschio, sterco di bisonte o pelo di coniglio, che avevano funzione assorbente. La culla veniva appoggiata o appesa per permettere alla madre di lavorare, oppure trasportata sulla schiena e fissata tramite una fascia di pelle che cingeva trasversalmente il petto e le braccia. Dai tre ai cinque mesi fino al momento in cui il bambino/a non muoveva i primi passi.
Indiani d'America: Fiori e vita dalle collezioni del museo etnografico Castello D'Albertis - Genova, Museo d'arte orientale E. Chiossone, 1996<br>Mostra d'arte precolombiana e di etnologia americana - Genova, Castello D'Albertis, 1972-1977
Deer skin bag lined with patterned fabric on a cream background. Decorated externally (except bottom) with glass beads in white (background), blue, red, green, yellow and blue to form zoomorphic (elk and bison) and geometric figures. The flaps are bordered internally by a double band of cream-coloured lace. Nine metal rattles and three dangling strands of metal conterie are attached along the outer edge. On the flaps are two leather ties on each side. On the bottom, to the part on which the child's head rested, is sewn a rectangular leather decorated entirely on both sides with white (background), red, yellow and blue conteries forming geometric patterns and parallel lines The mother would place the infant in it after stuffing the bottom with moss, bison dung or rabbit fur, which had an absorbent function. The cradle was either propped or hung to allow the mother to work, or carried on her back and secured by means of a leather band that encircled the chest and arms crosswise. The decorative geometric patterns, “many points” and parallel lines symbolize pregnancy scenes for the Dakota people; the trident motif symbolizes rain and the central symbol the four directions.
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Spoon, 1875 - 1880 circa (Oglala - Lakota or Brulee)
Ox horn
Spoon with deer/moose shaped handle terminal.
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Model of house, circa 1880 (Dakota - Teton)
Dehulled and curved wooden twigs, tanned cervid skin, porcupine thorns (flattened with teeth or nails, dyed and sewn), vegetable fibre, feathers and metal
Model of conical house of the natives of the Plains/Prairies (Tipi), toy for girls
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Women’s loafers, end of 800 (East Dakota)
Tanned deer leather, glass countries (covered-stitch embroidery), animal fabric and fibre
Women’s loafers with embroidery depicting a stylized turtle, protective female symbol
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Small bag for men and women, 1875 - 1885 (East Dakota - Yankton)
Tanned cervid leather, glass countries ("lazy" stitch embroidery), metal cones, semi-precious stone countries, animal fibre.
Small bag for men and women with embroidery that symbolically depict the types (triangles) and the Morning Star (crosses). It was carried on the belt and contained the steel and flint.
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Toy ball, circa 1880 (East Dakota)
Tanned cervid leather, animal fibre, glass count ("lazy" stitch embroidery)
Toy ball. It was hung from the cradle of children.
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Toy ball, circa 1880 (East Dakota)
Tanned cervid leather, vegetable fibre, glass count (covered stitch embroidery)
Toy ball. It was hung from the cradle of children.
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