Gambali, 1885 circa (Ojibway)

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Author/ School/ Dating:

Gambali, 1885 circa (Ojibway)

Technique and Dimensions:

Woollen cloth (blue Stroud), woven, glass countryware (covered-stitch embroidery)

Leggings with embroidered floral motif (French in origin)

Gambali, 1885 circa (Ojibway)

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Author/ School/ Dating:

Leggings , circa 1885 (Ojibway)

Technique and Dimensions:

Woollen cloth (blue Stroud), woven, glass countryware (covered-stitch embroidery)

Leggings with embroidered floral motif (of French derivation)

Polsino, 1885 circa (fattura Ojibway, decorazione Cree)

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Author/ School/ Dating:

Cuff, approximately 1885 (Ojibway invoice, Cree decoration)

Technique and Dimensions:

Wool cloth (blue Stroud), wool, leather, fabric, glass countries (framed)

Copricapo maschile, 1880 circa (Ojibway)

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Author/ School/ Dating:

Male headdress, circa 1880 (Ojibway)

Technique and Dimensions:

Tanned leather, velvet, glass counties (covering point), Great Lakes goose feathers, cotton thread, animal fiber, metallic rattles, vegetable fiber.

Male headdress with floral embroidery (of French derivation )
The pens were sprayed indigo

Cintura, 1880 circa (Cree del Sud)

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Author/ School/ Dating:

Belt, about 1880 (Cree del Sud)

Technique and Dimensions:

Textile fabric, tanned leather, glass countrysides (covering stitch)

Belt with decorative diamond pattern called "diamond"

Fodero di pistola, 1885 circa, (Cree, Ojibway)

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Titolo dell'opera:

gun holster

Acquisizione:

Collezione Missioni Cattoliche Americane 1893

Author/ School/ Dating:

gun holster

Epoca:

XIX - 1891 - 1900

Inventario:

C.A.457

Provenienza (nazione):

Canada

Technique and Dimensions:

Tanned leather, glass (covering stitch and "lazy" stitch), fabric, mother-of-pearl button

Utilizzo:

Contenere la pistola

Descrizione:

DESO: Scabbard made of five pieces of leather, two for the back, one for the front, one for the bottom and one for the tongue, sewn together. The front surface and tongue are entirely covered with blue, light blue, yellow, red, pink and green glass beads forming concentric diamond geometric patterns bordered by transparent white beads. A border of pink, blue and blue glass beads in alternating bands covers the seams of the perimeter of the scabbard. Opening bordered by a hand-sewn strip of light brown and purple cotton with a button in the centre for closure. On the back, a strip of leather sewn vertically allows the scabbard to be inserted into the belt. Gun holsters were not part of the native tradition; the natives began to make it modeling it after the white men's holsters but using materials and techniques peculiar to their own culture.

Fodero di coltello,  1885 circa (Dakota dell’Est, Yankton)

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Titolo dell'opera:

knife sheath

Acquisizione:

Collezione Missioni Cattoliche Americane 1893

Author/ School/ Dating:

knife sheath

Epoca:

XIX - 1891 - 1900

Inventario:

C.A.516

Provenienza (nazione):

Canada

Technique and Dimensions:

Tanned leather, glass countries (point "lazy" and festoncino)

Utilizzo:

Contenere il coltello

Descrizione:

Scabbard made from two pieces of leather sewn together. Front surface entirely covered with yellow, red, dark and light blue, white and blue glass beads forming geometric patterns. A thread of blue glass beads covers the seam of the scabbard and the hem of the opening forming a scalloped edge.

Fodero di coltello, 1870 circa (Dakota dell’Est, Yankton)

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Author/ School/ Dating:

Knife sheath, circa 1870 (East Dakota, Yankton)

Technique and Dimensions:

Tanned cervid skin, tissue, porcupine spines (flattened with teeth or nails, dyed and sewn)

Sella maschile, 1880 circa (Ojibway)

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Author/ School/ Dating:

Male saddle, circa 1880 (Ojibway)

Technique and Dimensions:

Woollen, woollen, glass-beamed cloth (covered-stitch embroidery)

Male saddle with floral embroidery (French)

Mazza da battaglia, 1870 circa (Teton Dakota)

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Author/ School/ Dating:

Battle mace, circa 1870 (Teton Dakota)

Technique and Dimensions:

Polished siliceous stone, dehusked wood, tanned leather

Two-pointed battle mace (commonly called "skull-splitter"); it was used in hand-to-hand combat even after the appearance of firearms, as a symbol of bravery and bravery.
Polished silica stone, decorticated wood, tanned leather applied still wet because drying contracts forming a single body between stone and handle

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