Taihu - Polena di imbarcazione da guerra

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Acquisizione:

D'Albertis Enrico Alberto 1932

Ambito culturale:

analisi stilistica

Author/ School/ Dating:

Taihu - Figurehead of war boat

Inventario:

C.D.A. 462

Provenienza (nazione):

Nuova Zelanda

Tecnica:

La prua veniva intagliata nel legno con scalpello di basalto o di giada e martello di legno.

Utilizzo:

Simbolica Spedizione di guerra

Back to Focus:

The protrusion of language, an expressive act present in almost all Polynesia with different meanings, for Maoris is simultaneously an act of challenge and protection from harmful forces. The back is missing.

Heru - pettine

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Author/ School/ Dating:

Heru - comb

Technique and Dimensions:

Wood, vegetable fibres

Back to Focus:

Used as an ornament by high-ranking men who styled their long hair in a knot called putiki. It could have been made of bone or wood.

Patu kotiate

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Author/ School/ Dating:

Patu kotiate

Technique and Dimensions:

Wood, mother of pearl

Back to Focus:

Each type of patu was modelled and proportionate to the holder’s grip and had a proper name.

Patu wahaika

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Author/ School/ Dating:

Patu wahaika

Technique and Dimensions:

wood

Back to Focus:

The figure on the inner side represents a spirit of mythological origin linked to the spiritual power, mana, of the weapon, which increased in proportion to the successes in combat. These types of weapons were passed down from generation to generation as family heirlooms.

Patu wahaika / 2

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Author/ School/ Dating:

Patu wahaika / 2

Technique and Dimensions:

Wood, mother of pearl

Back to Focus:

The wahaika is a distinct type of patu brought daily to the belt. Literally the term means: "fish mouth". The blows were made with the convex edge of the blade.

Elemento decorativo di casa

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Author/ School/ Dating:

Decorative element of the house

Technique and Dimensions:

Painted wood, mother of pearl (Haliotis sp.)

Back to Focus:

The ancestral figure in high relief served to visualize and recall the lines of descent, which played a crucial role in regulating access rights to lands and resources. Probably made for commercial use with whites.

Para - cappa da pioggia

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Acquisizione:

E.A.D'Albertis 1932

Author/ School/ Dating:

Para - rain hood

Inventario:

C.D.A.480

Misure:

Unità di misura: cm
Tipo di misura: altezzaxlunghezza
Valore: 87x100

Provenienza (nazione):

Nuova Zelanda

Tecnica:

La copertura è composta da strisce di foglie di "harakeke”, una pianta impropriamente chiamata lino, di ti kouka e di kieke.

Utilizzo:

Protezione dalla pioggia Posta sulle spalle Pioggia

Back to Focus:

Manufactured in a relatively short time, it is very effective in protecting from rain as the leaves serve as drainage channels. The cover is composed of strips of harakeke leaves, a plant improperly called "flax", ti kouka and kieke.

Piupiu

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Author/ School/ Dating:

Piupiu

Technique and Dimensions:

Plant fibres: Phormium tenax (harakeke)

Back to Focus:

Garment formed by strips of worked harakeke leaves, improperly called "linen"; the result is segmented ribbons that hang freely and follow the movement of the body in an oscillation that is precisely the meaning of the term maori piupiu.
It is worn in its variants, by men, women and children. Today it tends to replace "linen" with wool and plastic.
On the occasion of dances, the piupiu is accompanied by a pair of then - small spheres of harakeke (Phormium tenax) - held between the fingers by dancers and rhythmically moved.

Pipa cosiddetta a forma di “T”, fine ‘800 – inizio ‘900 (Dakota dell’Est o Dakota dell’Ovest)

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Author/ School/ Dating:

So-called "T-shaped" pipe, late 800 - early 900 (East Dakota or West Dakota)

Technique and Dimensions:

Catlinite (red clayey shale) carved

The catlinite was found only in the Pipestone quarry in Minnesota (now Pipestone National Monument). As soon as it was extracted, it was easy to work: to make the holes for the tobacco and for the storing of the torch, a wooden reel was used, rotated with a bow, gradually introducing abrasive sand and water into the hole.

Borsa per pipa e tabacco, 1870 – 1875 circa

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Acquisizione:

Collezione Missioni Cattoliche Americane 1893

Author/ School/ Dating:

Bag for pipe and tobacco, 1870 - 1875 approximately

Inventario:

S.N.28

Provenienza (nazione):

Stati Uniti d'America

Tecnica:

Si utilizzavano due strisce rettangolari, frangiate sull'estremità inferiore, di pelle conciata di cervide o di bisonte. Per la conciatura la pelle veniva tesa su dei pioli e con un raschiatoio si eliminavano residui di carne e cartilagini, quindi veniva lasciata stesa al sole ad asciugare per parecchi giorni. A questo punto la pelle veniva capovolta per rimuovere il pelo, tenuta a mollo e strofinata con una mistura di grassi animali per ammorbidirla. dopo averla lasciata nuovamente ad asciugare, veniva stirata e lavorata sulle due facce con una correggia ritorta di cuoio grezzo. I due pezzi di pelle venivano cuciti insieme e una o entrambe le superfici della borsa venivano decorate con applicazioni di aculei di porcospino, che venivano divisi a seconda della misura, ammorbiditi in bocca e, presso alcune tribù, venivano spaccati; quindi erano appiattiti con i denti o con le unghie. In un periodo più tardo, in seguito al contatto e ai conseguenti commerci con gli europei, gli aculei furono sostituiti con conterie di vetro policrome che formavano vari motivi decorativi.

Utilizzo:

Contenitore. Contenere pipa, tabacco e pigia tabacco. Cerimonie.

Bag for pipe and tobacco with embroidered floral pattern (French)
(Cree form, Ojibway decoration the two nations still live close today in northwestern Minnesota)

 

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