Foto di Lei niho palaoa

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Titolo dell'opera:

Necklace with pendant

Acquisizione:

Enrico Alberto D'Albertis 1932

Author/ School/ Dating:

Necklace with pendant

Epoca:

XIX - 1851 - 1900

Inventario:

C.D.A.1038

Misure:

Tipo di misura: lunghezza; Unità di misura: cm; Valore: 20; Tipo di misura: lunghezza; Unità di misura: cm; Valore: 10

Provenienza (nazione):

Hawaii

Technique and Dimensions:

Sperm whale’s teeth (Physeter macrocepahalus), hair

Utilizzo:

Riconoscimento dello status sociale. Tradizionalmente veniva indossata da uomini e donne di rango superiore, anche se nel XIX secolo fu utilizzata anche da individui di status inferiore. Fu usata anche come oggetto di scambio con visitatori americani ed europei. Cerimonie/vita quotidiana (?)

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Descrizione:
Necklace consisting of a central ivory pendant in the shape of a hook (stylisation of a godhead with chin, mouth and tongue, centres of vitality and spiritual strength) supported by two skeins of thin braids of human hair. At the other end of the two skeins are sewn two dark brown cotton webbing for closure. Worn exclusively by higher ranking chiefs of both sexes as the second most important symbol of power after the feather cloak. The materials from which it is made indicate its sacred character: in the Eastern Pacific, the head was considered the most sacred part of the human body because spiritual strength was believed to be concentrated mainly in it and in the hair. When a sperm whale died, its hair was cut off and used to make objects such as this ornament. The sperm whale was not hunted but when a carcass was stranded on the reefs it became the property of the chief of higher rank; once found the teeth were removed and used. In this type of ornament the tooth was moulded in the shape of a tongue, perhaps indicating that the wearer spoke with authority.
Foto di lei - collana / lei po’o - lei per testa

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Author/ School/ Dating:

lei - necklace / lei po’o - lei for head

Technique and Dimensions:

Shells: Orobophana sp. , vegetable fibres

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Descrizione:

Made of small shells it could also be used as a crown (lei po'o).
On the basis of the material used, we distinguish the non-perishable lei made with feathers, bone, hair, teeth, shells and perishable ones made with flowers, leaves and small fruits.

The conception of this type of ornament is Polynesian, but it is in Hawaii that it has reached greater quality of expression: the materials were selected for beauty, color, symbolism, therapeutic value, fragrance. After the discovery of these islands were introduced new materials including:

glass, ceramics, semi-precious stones, which were incorporated into the making of necklaces. With tourism, production has become an important economic activity: today, alongside the traditional necklaces are those made with silk, paper, current coins in the United States, plastic, ribbons.
Hawaii

Foto di lei - collana

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Author/ School/ Dating:

lei - necklace

Technique and Dimensions:

Shells, vegetable fibres

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Descrizione:

Hawaii

Foto di lei - collana / 2

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Author/ School/ Dating:

lei - necklace / 2

Technique and Dimensions:

Shells, vegetable fibres of Touchardia latifolia (olona)

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Descrizione:

Hawaii

Foto di lei - collana / 3

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Acquisizione:

D'Albertis Enrico Alberto 1932

Author/ School/ Dating:

lei - necklace / 3

Inventario:

C.D.A.3262

Provenienza (nazione):

Hawaii

Tecnica:

Le conchiglie venivano raccolte dalle donne, in gruppo o da sole, sulla riva, lavate, asciugate e suddivise per specie o dimensioni. Una giornata veniva dedicata alla foratura che a seconda delle dimensioni della conchiglia veniva effettuata con attrezzi diversi

Utilizzo:

Ornamentale Vita quotidiana

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Descrizione:

Hawaii

Foto di Ornamento

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Author/ School/ Dating:

Ornament

Technique and Dimensions:

Shells, vegetable fibres

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Descrizione:

East Polynesia

Foto di Ke’a tuki popoi

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Author/ School/ Dating:

Ke’a tuki popoi

Technique and Dimensions:

volcanic stone

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Descrizione:

The dough for the popoi is beaten for a long time with the pestle on a thick wooden table, hoana, slightly concave, to soften it.
Isole Marchesi

Foto di Ike

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Author/ School/ Dating:

Ike

Technique and Dimensions:

wood

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Descrizione:

Mazzuolo for kahu, vegetable cloth made by women. The engravings and the reliefs on the surfaces of the mallets vary according to the different phases of the manufacture.
Isole Marchesi

 

Foto di Ke’a tuki popoi / 2

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Acquisizione:

E. A. D'Albertis 1932

Ambito culturale:

documentazione

Author/ School/ Dating:

Ke’a tuki popoi / 2

Inventario:

C.D.A.1037

Provenienza (nazione):

Hawaii

Tecnica:

Anticamente la pietra veniva lavorata a percussione e levigata su rocce o con sabbia.

Utilizzo:

Usato per la preparazione dell'impasto del "popoi", cibo quotidiano costituito dal "mei", il frutto dell’albero del pane (Artocarpus altilis). Dopo la cottura il "mei", frutto dell'albero del pane (Artocarpus altilis), veniva pelato e grattugiato con schegge di conchiglia o di pietra. Gli uomini, seduti per terra all'estremità di un'asse di legno lievemente concava che avevano precedentemente inumidito con acqua, schiacciavano il "mei" con colpi brevi e veloci del pestello. Successivamente l'impasto veniva mescolato ad acqua o latte di cocco. Vita quotidiana

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Descrizione:

Pestle used in the preparation of popoi, daily food consisting of the fruit, mei, the bread tree (Artocarpus altilis) mixed with water or coconut milk.
Isole Marchesi

Foto di To’i - ascia

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Author/ School/ Dating:

To'i - axe

Technique and Dimensions:

Wood, stone, vegetable fibres

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Descrizione:

The quality of the materials and the manufacture indicate that it was used in sacred works, for example in the construction of war canoes. The functionality of this type of tool was such that the Tahitians, in the eighteenth century, bought European axes to replace the stone blades with those of iron while maintaining the traditional body.
Tahiti, Society Islands