State Archive of Genoa

Genoa’s state archives, located in the prestigious setting of the monumental complex of Sant’Ignazio, just a few steps from the city centre in the Carignano district, houses a collection of thousands of historic documents. These are the papers produced by the magistracies involved in the government of the city over the course of its history starting from the 11th century, it includes those of: the Municipality, the Aristocratic Republic, the Napoleonic Empire, the kingdom of Sardinia, the kingdom of Italy, the Italian Social Republic and the Italian Republic. 

The collection is further enriched by the Archive of the “Casa delle Compere”, the “Banchi di San Giorgio” and the archives of some private families and deeds drawn up by Genoese notaries from 1154 onwards. 

Physically they constitute a formidible collection (the book shelves totalling 40km in length) as well as a documentary heritage of extraordinary importance.

Top Ten

Thanks to the archival collections preserved in the institute, it is possible to retrace over a millennium of the history of Genoa and Liguria, with documents from 952 to the present day.
The archive contains evidence of the crucial role assumed by the ancient Marine Republic of Genoa in medieval times. It passes through the oldest existing notarial register, that of the Young Scribe's Cartulary, which dates back to the decade 1154 - 1164; to “Libri Iurium”, a thirteenth-century manuscript that reports the text of the inscription in gold letters that the Genoese had placed in 1105 on the altar lintel of the Holy Sepulcher of Jerusalem, listing the privileges received in the Holy Land after the First Crusade; to the letter of the Byzantine Emperor Alexius III Comnenus to the Genoese, dated 1199, which was sent to restart the diplomatic relations between the “Superba” and the Byzantine Empire after a stormy period.
Among the most curious documents we find the letter from the Protectors of San Giorgio to Christopher Columbus to congratulate the acclaimed fellow citizen for the discovery of America, and the Nicolò Paganini’s will, with which in 1837 the violinist, who was Genoese by birth, bequeathed the famous “Cannone”, his favorite violin, to the City of Genoa.

Foto di  Luigi Maria d'Albertis bust and panoplia

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Luigi Maria d'Albertis bust and panoplia

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Foto di Book - To New Guinea

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Book - To New Guinea

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Foto di vegetable belt

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Vegetable belt

Technique and Dimensions:

Vegetable fibers dyed and knotted to a belt of vegetable fiber

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Foto di Wig fo men

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Wig for men

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Foto di Ben Vautier - Fluxus

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Titolo dell'opera:

Fluxus cannot save the world

Autore:

Vautier, Ben

Epoca:

Inventario:

4084

Misure:

Misure mancanti: MNR

Technique and Dimensions:

Spray paint on wall

Ultimi prestiti:

The Fluxus Constellation - Museo di Villa Croce, Genova - 2002

Descrizione:
Ben Vautier is an artist of Fluxus, a movement that aims to bring art into life to the point of total coincidence of the two spheres. Very different international artists have been part of Fluxus, from Joseph Beuys to Daniel Spoerri, from Nam June Paik to Ben Patterson. Ben Vautier starting from the Ready mades of Marcel Duchamp, appropriates the world around him, including the works of other artists, his own body and that of others, through his signature and his characteristic cursive handwriting that invades and covers everything dissolving the boundary between art and life according to that Fluxus perspective that distinguishes him. The work in the collections is a wall intervention made at the museum in 2002 to celebrate 40 years of the movement. In the room reserved for him, the artist had installed many of his works reserving the right to intervene directly on a wall, with spray cans of fluorescent colors. He summarizes his Fluxus poetics with irony considered his trademark.
Foto di Luigi Maria D'Albertis bust

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Bust - Luigi Maria D'Albertis

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Foto di Book - To new Guinea

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Book - To New Guinea

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Foto di Sundial in Vinadio (CN)

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Sundial in Vinadio (CN)

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Foto di Sundial in Voltri (GE)

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Sundial in Voltri (GE)

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