1313 - 1313 - XIV

PB 2100

Unità di misura: cm; Altezza: 73,5; Larghezza: 64; Profondità: 30,5; Varie: Misure angelo destro: 68.3 x 24.5 x 33.5 cm (h x L x P). Misure angelo sinistro: 78 x 29.7 x 33.8 cm (h x L x P).

marmo bianco apuano scolpito

Kaiser Karl IV. 1316-2016 - Praga, National Gallery, Waldstein Riding School - 15/05—25/09 2016

The elevatio animae group of Margaret of Brabant is one of the most famous medieval sculptures. It was commissioned from Giovanni Pisano, the most important sculptor of the time, by Emperor Henry VII as a tribute to his beloved wife Margaret of Brabant who died in Genoa at the age of 36 on the night of 13 December 1311. The funeral monument was erected in the church of San Francesco di Castelletto and placed in the apsis. Later, at the end of the 16th century (before 1602), it was dismembered and reused in the chapel of San Francesco in the same church. With the demolition of the sacred building in the early 19th century, the group was transferred by the Brignole Sale family to Villa Duchessa di Galliera in Voltri, where it remained until the 1870s, when it was rediscovered by Santo Varni. Fragment of the funerary monument of Margaret of Brabant, depicting the elevatio animae. The glorious body of the queen, gazing upwards towards heaven, is lifted by two headless angels.

1261 - 1262 - XIII

PB 2073

Unità di misura: cm; Altezza: 132.3; Larghezza: 378.5

seta ricamato con fili di seta colorati, fili ricoperti di lamina d'argento e di lamina d'argento dorata

The desire for revenge of Genoa, defeated and driven out of Acre in 1258 by its Venetian and Pisan rivals, and of the Byzantine Empire, deprived of its legitimate capital by the Fourth Crusade in 1204, came together on 13 March 1261 when the Treaty of Nymphaeum was signed, aimed at guaranteeing Emperor Michael VIII Palaeologus the support of the Genoese fleet in the reconquest of Constantinople and, for the Genoese, the acquisition of great commercial advantages in imperial territory. To seal the agreement, Michael VIII gave the Genoese two cloths: one reproducing his image and of which traces are lost, and one consisting of the magnificent Pallium of San Lorenzo.
The Pallium is a masterpiece unique in the world for the unparalleled quality of its embroidery (sciàmito, "siamite", means “with six threads”, indicating the complexity of the weave, usually consisting of two warps and two or four wefts), made with polychrome silks and gold and silver threads, but also for the extraordinary amount of information it provides on the history of Genoa, on the history of the Byzantine Empire, on the relations between these two fundamental players in the history of the Mediterranean, and on Western and Eastern religiosity at a time somewhere between schism and the attempted reunification of the two churches.
The Pallium remained in the Cathedral until 1663 before being moved to the Palazzo dei Padri del Comune, in the mid 19th century to Palazzo Tursi, and finally in the early 20th century to Palazzo Bianco. It was later placed in the Museum of Sant'Agostino, where it will return once the work is completed. The Pallium narrates, in a stylistic language already foreshadowing the manner of the so-called “Palaeologian Revival”, the history and martyrdoms of the three western saints, Lawrence, Sixtus and Hippolytus. The narrative unfolds on two registers; in the centre of the imposing silk swarm is a pivotal image of the Emperor himself who, accompanied by Saint Lawrence and the archangel Michael, enters the Genoese cathedral, dedicated to Saint Lawrence. The emperor Palaeologus is placed in stark contrast to the Roman emperor Decius, persecutor of Christians and protagonist of the stories depicted together with the three martyred saints.

Fresco torn and arranged on fiberglass, 226 x 205 cm

XII-XIII - 1101 - 1300

Unità di misura: cm; Altezza: 6; Diametro: 13

Perù

argilla- modellatura a mano

Mostra d'arte precolombiana e di etnologia americana - Genova, Castello D'Albertis - 1972-1977

The decorative apparatus presents: Animals: fantasy animals. Decorations: geometric patterns. Small bowl with convex bottom. The walls are slightly recessed and painted on an orange-red background with four vertical bands, delimited by cream-colored lines with three cream diamonds inside alternating with fantasy plum-colored zoomorphic figures. Two cream-colored lines are painted, one at the fairing and one on the rim. A black line is visible inside.