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Salome offers Herodias the head of the Baptist
Salome offers Herodias the head of the Baptist
painting
PB 513
Unità di misura: cm; Altezza: 139; Larghezza: 127,5
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Salome offers Herodias the head of the Baptist
Salome offers Herodias the head of the Baptist
painting
PB 513
Unità di misura: cm; Altezza: 139; Larghezza: 127,5
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The Capture of Christ
The Capture of Christ
painting
PB 902
Unità di misura: cm; Altezza: 298; Larghezza: 245
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Venus and Love
A. Porcile, ved. Vassallo 1907 Genova - acquisto
Venus and Love
painting
PB 1409
Unità di misura: cm; Altezza: 95; Larghezza: 74
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El Esplendor de Génova - Bilbao - 2003-2004<br>Verdammte Lust! Kirche. Korper. Kunst - Frisinga (Germania) - 2023
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Mother with little girl
Legato Frugone - legato
Mother with little girl
GAM1600
Unità di misura: cm; Altezza: 40; Larghezza: 28; Profondità: 38
fusione in bronzo
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Female bust. L’Alpe
Female bust. L’Alpe
GAM 1608
Unità di misura: UNR
marmo
The female head reproduces that of the full-length marble sculpture entitled Beauty Liberated from Matter, created by Bistolfi for the funeral monument to Giovanni Segantini, who died suddenly at a young age. A work of symbolist taste, it is not lacking in references to Michelangelo's ‘unfinished’, almost as if the face were blossoming from the harshness of the mountain.
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Stable with two animals and three figures
Stable with two animals and three figures
painting
GPB 740
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Skilled in the analytical representation of the natural datum, it is well known how Filippo Palizzi loved, in the pursuit of this goal, to make his own working tools, brushes and palette knives, as recalled by his painter friend Domenico Morelli. Exemplary of this desire are the two paintings selected by the Frugone brothers, in which animal hair, hay threads, even the cracks in the walls testify to his ability to make painting “tactile,” rendering to perfection the feeling of roughness or softness of each element. The painting depicts the interior of a stable with two donkeys and three figures.
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Shaka Nyorai, the Historical Buddha Śākyamuni seated
Tanaka Iga and Fujiwara Tamehide
statue
- XVII
B-1585
Unità di misura: cm; Altezza: 96.6; Varie: Altezza con piedistallo: cm 130
bronzo colato
Shaka Nyorai is the historical Buddha Śākyamuni, "Nyorai" indicates one who has achieved complete enlightenment; this statue represents the exact moment in which Śākyamuni completes the way to becoming Buddha and achieves the Awakening. The figure we observe is in fact in the lotus posture, seated on the throne made up of two overlapping lotus flowers, one with the corolla facing upwards and the other facing downwards. The hands are held in the mudrā of deep meditation. This gesture in Sanskrit is called dhyānamudrā and symbolises the ecstatic and contemplative thought free from worries and distractions, in which Siddharta Gautama was immersed when, absorbed in meditation under the Bodhi tree, he reached the enlightenment. We can therefore say that this statue represents the exact moment in which Śākyamuni completed his Journey to becoming Buddha and achieved Awakening, this event is commemorated in Japan with the Jōdō-e, the Buddhist celebration that, on December 8, commemorates the enlightenment of Buddha Śākyamuni. Engraved inscription says: “This image depicting Shaka Nyorai is one of six made at the same time, on the 24th day of the Ninth Month of the 7th year of the Genroku Era (1694) by Tanaka Iga and Fujiwara Tamehide commissioned by Ōhashi Dōchi (?) who lived in Ichiba, Yabu, Tajima [present-day Hyōgo Prefecture]”.
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Fabric fragment
Schmidt y Pizarro 1938 acquisto
Paracas
Fabric fragment
Fabric fragment
V-II b.C. - 500 b.C. - 101 b.C.
Unità di misura: cm; Larghezza: 5; Lunghezza: 52.7; Spessore: 0.3
Perù
cotone naturale e fibra camelide, punto boucle'
Le mani delle Americhe - Genova, Laboratorio Didattico Sant'Agostino - Nov. 1995 - Gen. 1996<br>Mostra d’Arte Precolombiana e di Etnologia Americana - Genova, Castello D'Albertis - 1972-1977
Fragment of cloak edge with natural cotton core and bouclé stitch embroidery. The core is covered with camelid fibers finely worked in cross-looping (bouclé stitch with circular pattern) corresponding to the body of the birds and at the base of the plant motifs. The other too small parts of the body of the birds and the plant motifs do not have a cotton core but rather camelid fiber worked in chain stitch. The colors used are red, yellow, purple, pink, blue, light and bottle green, light blue, medium and dark brown, black. Double-sided fabric.
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Spindle
J. Puccio 1927 acquisto
ambito peruviano
Spindle
spindle
XIX - 1801 - 1900
Unità di misura: cm; Diametro: 1; Lunghezza: 24.1; Varie: Diametro massimo fusaiola cm 2.8
Perù
legno intagliato
Mostra d'arte precolombiana e di etnologia americana - Genova, Palazzo Ducale - 1972-1977
Dark wood wand with a single pointed end and terracotta spindle. One surface of the terracotta is flat, the other one is shaped.
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Fuso
J. Puccio 1927 acquisto
ambito peruviano
Fuso (187317)
spindle
XIX - 1801 - 1900
Unità di misura: cm; Diametro: 0.6; Lunghezza: 23.8; Varie: Diametro massimo fusaiola cm 2.8
Perù
legno intagliato
Mostra d'arte precolombiana e di etnologia americana - Genova, Palazzo Ducale - 1972-1977
Dark wood wand with a single pointed end and terracotta spindleterracotta spindle mould, decorated with incisions and two excised geometric motifs.
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