Salomè offre a Erodiade la testa del Battista (circa 1630)

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Titolo dell'opera:

Salome offers Herodias the head of the Baptist

Author/ School/ Dating:

Salome offers Herodias the head of the Baptist

Object Type:

painting

Epoca:

Inventario:

PB 513

Misure:

Unità di misura: cm; Altezza: 139; Larghezza: 127,5

Tecnica:

olio su tela

Cattura di Cristo (circa 1562)

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Titolo dell'opera:

The Capture of Christ

Author/ School/ Dating:

The Capture of Christ

Object Type:

painting

Epoca:

Inventario:

PB 902

Misure:

Unità di misura: cm; Altezza: 298; Larghezza: 245

Tecnica:

olio su tela

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Venere e Amore

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Titolo dell'opera:

Venus and Love

Acquisizione:

A. Porcile, ved. Vassallo 1907 Genova - acquisto

Author/ School/ Dating:

Venus and Love

Object Type:

painting

Epoca:

Inventario:

PB 1409

Misure:

Unità di misura: cm; Altezza: 95; Larghezza: 74

Tecnica:

olio su tela

Ultimi prestiti:

El Esplendor de Génova - Bilbao - 2003-2004<br>Verdammte Lust! Kirche. Korper. Kunst - Frisinga (Germania) - 2023

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Titolo dell'opera:

Mother with little girl

Acquisizione:

Legato Frugone - legato

Author/ School/ Dating:

Mother with little girl

Epoca:

Inventario:

GAM1600

Misure:

Unità di misura: cm; Altezza: 40; Larghezza: 28; Profondità: 38

Tecnica:

fusione in bronzo

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L’ Alpe

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Titolo dell'opera:

Female bust. L’Alpe

Author/ School/ Dating:

Female bust. L’Alpe

Epoca:

Inventario:

GAM 1608

Misure:

Unità di misura: UNR

Tecnica:

marmo

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Descrizione:

The female head reproduces that of the full-length marble sculpture entitled Beauty Liberated from Matter, created by Bistolfi for the funeral monument to Giovanni Segantini, who died suddenly at a young age. A work of symbolist taste, it is not lacking in references to Michelangelo's ‘unfinished’, almost as if the face were blossoming from the harshness of the mountain.

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Titolo dell'opera:

Stable with two animals and three figures

Author/ School/ Dating:

Stable with two animals and three figures

Object Type:

painting

Epoca:

Inventario:

GPB 740

Tecnica:

olio su tela

Descrizione:

Skilled in the analytical representation of the natural datum, it is well known how Filippo Palizzi loved, in the pursuit of this goal, to make his own working tools, brushes and palette knives, as recalled by his painter friend Domenico Morelli. Exemplary of this desire are the two paintings selected by the Frugone brothers, in which animal hair, hay threads, even the cracks in the walls testify to his ability to make painting “tactile,” rendering to perfection the feeling of roughness or softness of each element. The painting depicts the interior of a stable with two donkeys and three figures.

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Titolo dell'opera:

Shaka Nyorai, the Historical Buddha Śākyamuni seated

Autore:

Tanaka Iga and Fujiwara Tamehide

Object Type:

statue

Epoca:

- XVII

Inventario:

B-1585

Misure:

Unità di misura: cm; Altezza: 96.6; Varie: Altezza con piedistallo: cm 130

Tecnica:

bronzo colato

Descrizione:

Shaka Nyorai is the historical Buddha Śākyamuni, "Nyorai" indicates one who has achieved complete enlightenment; this statue represents the exact moment in which Śākyamuni completes the way to becoming Buddha and achieves the Awakening. The figure we observe is in fact in the lotus posture, seated on the throne made up of two overlapping lotus flowers, one with the corolla facing upwards and the other facing downwards. The hands are held in the mudrā of deep meditation. This gesture in Sanskrit is called dhyānamudrā and symbolises the ecstatic and contemplative thought free from worries and distractions, in which Siddharta Gautama was immersed when, absorbed in meditation under the Bodhi tree, he reached the enlightenment. We can therefore say that this statue represents the exact moment in which Śākyamuni completed his Journey to becoming Buddha and achieved Awakening, this event is commemorated in Japan with the Jōdō-e, the Buddhist celebration that, on December 8, commemorates the enlightenment of Buddha Śākyamuni. Engraved inscription says: “This image depicting Shaka Nyorai is one of six made at the same time, on the 24th day of the Ninth Month of the 7th year of the Genroku Era (1694) by Tanaka Iga and Fujiwara Tamehide commissioned by Ōhashi Dōchi (?) who lived in Ichiba, Yabu, Tajima [present-day Hyōgo Prefecture]”.

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Titolo dell'opera:

Fabric fragment

Acquisizione:

Schmidt y Pizarro 1938 acquisto

Ambito culturale:

Paracas

Author/ School/ Dating:

Fabric fragment

Object Type:

Fabric fragment

Epoca:

V-II b.C. - 500 b.C. - 101 b.C.

Misure:

Unità di misura: cm; Larghezza: 5; Lunghezza: 52.7; Spessore: 0.3

Provenienza (nazione):

Perù

Tecnica:

cotone naturale e fibra camelide, punto boucle'

Ultimi prestiti:

Le mani delle Americhe - Genova, Laboratorio Didattico Sant'Agostino - Nov. 1995 - Gen. 1996<br>Mostra d’Arte Precolombiana e di Etnologia Americana - Genova, Castello D'Albertis - 1972-1977

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Descrizione:

Fragment of cloak edge with natural cotton core and bouclé stitch embroidery. The core is covered with camelid fibers finely worked in cross-looping (bouclé stitch with circular pattern) corresponding to the body of the birds and at the base of the plant motifs. The other too small parts of the body of the birds and the plant motifs do not have a cotton core but rather camelid fiber worked in chain stitch. The colors used are red, yellow, purple, pink, blue, light and bottle green, light blue, medium and dark brown, black. Double-sided fabric.

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Titolo dell'opera:

Spindle

Acquisizione:

J. Puccio 1927 acquisto

Ambito culturale:

ambito peruviano

Author/ School/ Dating:

Spindle

Object Type:

spindle

Epoca:

XIX - 1801 - 1900

Misure:

Unità di misura: cm; Diametro: 1; Lunghezza: 24.1; Varie: Diametro massimo fusaiola cm 2.8

Provenienza (nazione):

Perù

Tecnica:

legno intagliato

Ultimi prestiti:

Mostra d'arte precolombiana e di etnologia americana - Genova, Palazzo Ducale - 1972-1977

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Descrizione:

Dark wood wand with a single pointed end and terracotta spindle. One surface of the terracotta is flat, the other one is shaped.

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Titolo dell'opera:

Fuso

Acquisizione:

J. Puccio 1927 acquisto

Ambito culturale:

ambito peruviano

Author/ School/ Dating:

Fuso (187317)

Object Type:

spindle

Epoca:

XIX - 1801 - 1900

Misure:

Unità di misura: cm; Diametro: 0.6; Lunghezza: 23.8; Varie: Diametro massimo fusaiola cm 2.8

Provenienza (nazione):

Perù

Tecnica:

legno intagliato

Ultimi prestiti:

Mostra d'arte precolombiana e di etnologia americana - Genova, Palazzo Ducale - 1972-1977

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Descrizione:

Dark wood wand with a single pointed end and terracotta spindleterracotta spindle mould, decorated with incisions and two excised geometric motifs.

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