1551 - 1600 - XVI

Sm-30

Unità di misura: cm; Altezza: 18.4; Lunghezza: 22.5

Cina

lega di rame

Splendidi intrecci sulle vie della seta. Arte tessile dall’Asia centrale e dalla Cina. - Palazzo Bianco, Genova - 29/11/2024 - 28/09/2025

In China, during the Ming (1368-1644) and Qing (1644-1912) periods, the ateliers controlled by the imperial house created enamel works of the highest technical and artistic quality, so much so that cloisonné enamels are considered typical products of Chinese decorative arts. Duck-shaped perfume burner.

IX-XI - 801 - 1100

Unità di misura: cm; Altezza: 58; Larghezza: 124

Perù

cotone- tessitura a telaio

Le mani delle Americhe - Genova, Laboratorio didattico Sant'Agostino - 1995-1996

Complete tunic made up of six fabrics assembled in very fine natural cotton balanced canvas. Additional wefts in camelid yarn draw stylized ornithomorphic figures in pink, white and brown on a yellow and red background in the lower part of the tunic. Areas with additional wefts are framed with tapestry stitch weaving. The four pieces (central part and sleeves) are folded and joined to form the stitched tunic wrapped in natural cotton. The opening for the head is obtained simply by not sewing the selvages and is embroidered with a loop at the base of the neckline in yellow camelid fibre. Below the decoration, fringes made with tapestry stitch with natural cotton warp and yellow camelid fiber weft are sewn with wrapped stitch to the rest of the tunic.

V b.C. - VII a.C. - 500 b.C. - 700 a.C.

Unità di misura: cm; Altezza: 19; Lunghezza: 54.5; Unità di misura: cm; Altezza: 34; Lunghezza: 87; Unità di misura: cm; Altezza: 19.5; Lunghezza: 33

Perù

cotone naturale e fibra camelide, punto ad arazzo

L'America indigena nelle collezioni del Civico Istituto Colombiano di Genova - Palazzo Doria, Genova - Marzo 1990

Fabric in three fragments in tapestry stitch with natural cotton warp and natural cotton and multicolored camelid fiber wefts.
Fragment A: the wefts draw geometric patterns in yellow and two zoomorphic elements in red/brown, black and yellow on a light brown background. Double-sided fabric.
Fragment B: the textures draw two stylized birds and geometric patterns in yellow on a red background. Double-faced fabric.
Fragment C: has same decorative motif as the other two pieces but presence of dovetail binding with widely spaced points.
The three pieces have an edge in which some textures have a scaling pattern, forming triangle motifs. Remains of flaked cotton padding on the three pieces of textile.

XI-XVI - 1001 - 1600

Unità di misura: cm; Altezza: 20.2; Larghezza: 22.5

Perù

cotone naturale e fibre camelidi, tela a faccia di ordito, trame supplementari

Le mani delle Americhe - Genova, Laboratorio didattico Sant'Agostino - Nov. 1995 - Genn. 1996<br>Mostra d'arte precolombiana e di etnologia americana - Genova, Castello D’Albertis - 1972-1977

Fragment of slightly warp-faced canvas in medium brown natural cotton with additional wefts in camelid fiber that create lozenges with stylized ducks inside in the colors red, yellow, pink, green, black. The decoration has a diagonal pattern due to the alternation of colors. Non-double-faced textile.

III-XIII - 201 - 1300

Unità di misura: cm; Altezza: 54; Larghezza: 16

Perù

fibra camelide- tessitura a telaio

Le mani delle Americhe - Genova, Laboratorio didattico Sant'Agostino - nov. 1995 - genn. 1996<br>Animali e piante dall'America all'Europa - Genova, Museo di storia naturale - 1991-1992<br>Mostra d'arte precolombiana e di etnologia americana - Genova, Castello D'Albertis - 1972-1977

Chuspa in warp-faced canvas with embroidery and decorative braids. The canvas is in brown camelid fiber with the selvages embroidered with tubular looping in camelid fiber in red, yellow, blue and brown. The faces of the bag are adorned with camelid fiber darning embroidery in red, yellow and blue to create lozenge motifs inscribed in squares. Braids made with the same fibers and colors as the darning embroidery adorn the lower corners of the bag. The shoulder strap is made of pink, yellow, brown camelid fiber yarn braided and knotted at the end. The textile is double-faced.

V b.C. - VII a.C. - 500 b.C. - 700 a.C.

Unità di misura: cm; Larghezza: 14; Lunghezza: 50

Perù

cotone naturale e fibre camelidi, tela a faccia di ordito

Le mani delle americhe - Genova, Laboratorio didattico Sant'Agostino - Nov. 1995 - Gen. 1996

Rectangular fragment of slightly warp-faced plaincloth fabric. Warp and wefts in natural cotton and camelid fibers in light blue, yellow, dark and medium brown to design scalar geometric motifs or stylizations of demon faces through pairs of right angles with a tooth motif on a red background. Double-faced fabric.

III-I b.C. - 300 b.C. - 1 b.C.

Unità di misura: cm; Altezza: 6; Diametro: 12.5

Perù

argilla- a colombino

L'America indigena nelle collezioni del Civico Istituto Colombiano di Genova - Genova, Palazzo Doria - 1990

Bowl with a convex bottom of the red-orange color of the biscuit, like the inside of the bowl. The external wall is painted with stylized leaf motifs in black, orange, cream and gray divided by vertical lines in cream on a red background.

XV-XVI - 1401 - 1600

Unità di misura: cm; Altezza: 18.5; Diametro: 20

Perù

argilla- a stampo

Mostra d'arte precolombiana e di etnologia americana - Genova/ Castello D'Albertis - 1972/1977

Red-orange aryballus with a black spot probably due to poor cooking process. The conical base has a flat base, while the vertical neck has an everted edge painted in cream and two small lateral perforated sockets. The front wall is decorated with three cream-coloured bands that end on the fairing: two of them start from the base of the neck, the third by a plastic element, perhaps a stylized zoomorphic head, is applied to the shoulder. Two ribbon-like loops are visible on the belly.

Unità di misura: cm; Altezza: 14,5; Larghezza: 20

Australia

Colazione a Melbourne e pranzo a Yokohama, il primo giro del mondo di E.A. d'Albertis e le foto di J.W. Lindt, in collaborazione con Monica Galassi e Ken Orchard - Genova, Castello D'Albertis Museo delle culture del mondo - novembre 2021-marzo 2022

Part of the photographs commissioned by L.M. d'Albertis to J.W. Lindt from the Clarence River