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Titolo dell'opera:

Landing of Christopher Columbus in San Salvador

Acquisizione:

Fiaschi-Agarini 15/02/2008 - donazione

Author/ School/ Dating:

Landing of Christopher Columbus in San Salvador

Object Type:

three-dimensional

Epoca:

Inventario:

4518

Misure:

Unità di misura: cm; Altezza: 44; Larghezza: 81; Lunghezza: 43

Tecnica:

legno

Descrizione:

The diorama reproduces the beach of the island of San Salvador, the sea and the 3 caravels at anchor.

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Titolo dell'opera:

Globe of Nuremberg

Acquisizione:

1998 Genova - acquisto

Author/ School/ Dating:

Globe of Nuremberg

Object Type:

globe

Epoca:

Inventario:

4366

Misure:

Unità di misura: cm; Diametro: 100

Tecnica:

cartapesta dipinta

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Descrizione:

Painted papier-mâché globe, copy of a 15th century original.

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Titolo dell'opera:

Genoese galleon ‘S. Matteo’

Acquisizione:

Ing. L.G.Boschi 21/10/1948 - donazione

Ambito culturale:

ambito genovese

Autore:

Mambriani, Marco

Epoca:

Inventario:

4230

Misure:

Unità di misura: cm; Altezza: 55; Larghezza: 30; Lunghezza: 70

Tecnica:

legno

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Titolo dell'opera:

Quadrant

Author/ School/ Dating:

Quadrant

Epoca:

Inventario:

3960

Misure:

Unità di misura: cm; Varie: Diametro: 36

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Descrizione:

Reconstruction of an ancient instrument.

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Titolo dell'opera:

Quadrant

Author/ School/ Dating:

Quadrant

Epoca:

Inventario:

3958

Misure:

Unità di misura: cm; Varie: Diametro: 34

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Titolo dell'opera:

Astrolabe

Author/ School/ Dating:

Astrolabe

Epoca:

Inventario:

3957

Misure:

Unità di misura: cm; Varie: Diametro: 65,5

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Titolo dell'opera:

Nautical planisphere

Acquisizione:

Biblioteca Brignole Sale De Ferrari Genova - Provenienza

Ambito culturale:

ambito spagnolo

Author/ School/ Dating:

Nautical planisphere

Object Type:

nautical chart

Epoca:

Inventario:

3627

Misure:

Unità di misura: cm; Altezza: 102; Larghezza: 184

Tecnica:

inchiostro

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Descrizione:

The original author was Juan de la Cosa (1460-1510), owner of the Santa Maria, pilot and cartographer for Christopher Columbus and Amerigo Vespucci. He created it for the Spanish monarchs upon his return to Cadiz in 1500. The map was drawn vertically, with the West at the top and the East at the bottom. At the top is an effigy of Saint Christopher, perhaps a tribute to his captain. The map is crossed by two red horizontal lines, indicating the Tropic of Cancer and the Equator. A blue vertical line indicates the division of influence between Castile and Portugal, established by Pope Alexander VI's bull the year after the discovery. The map contains gross errors in the position of the Caribbean islands, which are drawn much further north than they actually are. A unique copy of the original map, painted on parchment in 1500 and kept at the Naval Museum in Madrid. It was commissioned for the Colombian celebrations in 1892.

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Titolo dell'opera:

Compass

Author/ School/ Dating:

Compass

Epoca:

Inventario:

3331

Misure:

Tipo di misura: diametro; Unità di misura: cm; Valore: 9,5; Varie:

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Descrizione:

On Columbus' ships, the compass was kept in a mobile container, which was moved as needed. The Atlantic wind rose had 32 diamonds; the Mediterranean one had 16 diamonds. The biggest problem was the demagnetisation of the needles, made of soft or wrought iron, which occurred within 2-3 months.

However, the measurements were inaccurate and sailors sought confirmation from the apparent motions of the Sun (sunrise and sunset indicated east and west) and from the North Star, the only star in the sky that appeared fixed.

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Titolo dell'opera:

Portrait of Christopher Columbus and Amerigo Vespucci

Acquisizione:

Riva Giuseppe, Conte 05/02/1905 - donazione

Ambito culturale:

ambito italiano

Author/ School/ Dating:

Portrait of Christopher Columbus and Amerigo Vespucci

Object Type:

painting

Epoca:

Inventario:

3467

Misure:

Unità di misura: cm; Altezza: 21; Larghezza: 65

Tecnica:

olio su tela

Descrizione:

Why was the American continent named after Amerigo Vespucci, even though its discovery is commonly attributed to Christopher Columbus? First of all, it must be said that the accusations levelled at Vespucci for so long – he was long considered a fraud and a vain man who had stolen Columbus' glory – are unjustified. Even the number of his voyages to America has been falsified: not four, but two, in 1499 and 1501. He never tried to take credit for the discovery. In fact, at first, Vespucci, like Columbus, believed that the lands he discovered were part of Asia.

Amerigo Vespucci was born in 1454 into an ancient Florentine family and received an excellent humanistic education. At a very young age, he entered the commercial house of the Florentine banker Lorenzo di Pier Francesco de' Medici, who organised Spanish and Portuguese overseas expeditions. At the end of May 1501, he undertook an expedition on behalf of Portugal. After reaching the extreme southern latitude reached on his first voyage, he continued along the continent towards the south-west, reaching the strait later discovered by Ferdinand Magellan. In July 1502, he was back in Lisbon. This voyage was the most significant, revealing to the navigator the unexpected existence of a New World. In fact, Vespucci had sailed along a mainland at a latitude so far south that it had never been reached even by other Portuguese navigators, who had already circumnavigated Africa and reached India: hence the idea of an independent continent, which he became the proponent of. Rectangular oil painting on canvas, with a gilded frame. The bust portraits of the two navigators are inserted into two ovals on the canvas, while cherubs hold the symbols of the great navigators in their hands.

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Titolo dell'opera:

Caravel 'Niña'

Acquisizione:

Esposizione Colombiana 1892 - Provenienza

Ambito culturale:

ambito italiano

Author/ School/ Dating:

Caravel 'Niña'

Object Type:

model

Epoca:

Inventario:

3313

Misure:

Unità di misura: m; Altezza: 1.48; Larghezza: 0,81; Lunghezza: 1,63

Tecnica:

legno

Ultimi prestiti:

Esposizione colombiana - Genova - 1892<br>Esposizione colombiana - Chicago - 1893<br>Esposizione universale - New York - 1939<br>Mostra colombiana - Genova - 1950

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Descrizione:

The Niña was a caravel, one of three ships used on Christopher Columbus's first voyage of discovery. Its captain was Vicente Yañez Pinzón.
Particularly light, manoeuvrable and fast, Columbus also wanted it on his second voyage to the New World. Model built using the half-model technique: full hull planed. Made for the Colombian Exhibition of 1892.

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