SIAE (the Italian music copyright organization) registration document for “A famiggia di Lippe” (1970) (P. Campodonico / F. De André / G.P. Reverberi).
Pietro Campodonico is the author of the lyrics with Fabrizio De André and Gian Piero Reverberi as the authors of the music. 

Rare example of a brown plastic box containing the Fabrizio De André album "Tutti morimmo a stento" (1968), it is a special edition delivered to the record stores in Genoa by Andrea Grillo, the first representative of “Bluebell”, one of the Italian labels founded in Milan in 1959 by Antonio Casetta.
The sales representative and the artist drove around the provinces in Grillo's Fiat 500, visiting retailers to promote De André's records. The shop of the Fratelli Ciglia in Via Cairoli was particularly well known at the time.

Riccardo Mannerini - "Eroina I - II - III" (1967) - Typescripts - Private, social and existential verses.

On display are the typescripts of "Eroina", one of Riccardo Mannerini's best-known poems, here in its original three parts which the great Genoese poet wrote and then gave to Fabrizio De André and which were subsequently revisited and their metric structure modified by Faber to become "Il cantico dei drogati", a break through text for the time included in the first concept album of the singer-songwriter "Tutti morimmo a stento" (1968).

Memorabilia belonging to Reinhold Kohl, photographer and Fabrizio De André’s friend, who followed Faber on his 1981/82 (the so-called “Indian”) tour (named for the cover photo of the album that came out in 1981), the tour marked the return to the stage of the Genoese singer-songwriter after the terrible episode of his and his wife’s (Dori Ghezzi) kidnapping.
The signatures of all the musicians are shown on the sheet on display at the Museum, Fabrizio's stands out with the unmistakable A of anarchy.

Arnold & Richter stage light which belonged to the set designer Pepi Morgia, whose nickname was the "prince of lights" due to his extraordinary ability to give maximum effect to the sets, worked with many of the major Italian and international artists in the course of their long tours in Italy and Europe.
Among them Fabrizio De André, Laura Pausini, Claudio Baglioni, Elton John and many others.

Fabrizio De André’s handwritten note dedicated to Pepi Morgia is better known as the “napkin”, Morgia was a scenographer and lighting technician, and, from his first appearance on Faber's stage, De André’s friend. The 1981/82 tour touched some of Europe’s  foremost stages such as that of Vienna and it was during a "boozy" evening on this tour that De André gave “the napkin” to Morgia.
Pepi, kept the "gift" for many years, and only made it public in the decade after the death of the songwriter with whom he had shared a long “journey”.

Original poster of the concert by Fabrizio De André and PFM held in Genoa on January 3, 1979 at Pavilion C of the Genoa International Fair.
It is the only known Italian copy and bears the official stamp indicating municipal “approval” for display.
It is a memento of a memorable evening in Genoa which was caught on camera and later was turned into a film “The concert rediscovered” directed by Walter Veltroni.

Gramophone "Gallorini Oreste" (1920) in inlaid cherry, which belonged to Riccardo Mannerini, the Genoese poet and Fabrizio De André’s friend with whom the singer-songwriter had an intense collaboration that led to the creation of albums such as "Senza tempo, senza Bandiera”(1967) by the New Trolls and “Tutti morimmo a stento” (1968) in which Mannerini's poem “Eroina” is transformed into “Il cantico dei drogati”.

Report cards, diplomas, school registers and class photos of Fabrizio Cristiano De André from his studies at (Section A) of the Liceo Cristoforo Colombo which he attended until his highschool graduation in 1959 (after initially having failed Latin, Greek and philosophy).