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Titolo dell'opera:

Clipeus with blessing Christ

Ambito culturale:

ambito bizantino

Autore:

Scultore pisano di educazione bizantina

Object Type:

clipeo

Epoca:

Inventario:

MSA 3632

Misure:

Unità di misura: cm; Diametro: 50; Spessore: 16

Tecnica:

Marmo greco

Descrizione:

This clypeus comes from the church of San Colombano, a 15th-century foundation close to the city's charitable institutions. When the church was destroyed in the last century, the clipeus, which stood on the façade, came into the possession of the civic collections. The marble presents a typically Oriental iconography, interpreted, however, in a rather approximate manner: this indicates an uncertain handling of the figure and thus a lack of habit of this type of realisation, present elsewhere, such as in Pisa, with much more secure results. Marble tondo depicting Christ with a tome in his left hand and his right raised in the act of blessing.

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Titolo dell'opera:

Overdoor with Agnus Dei and emblems

Ambito culturale:

ambito ligure

Author/ School/ Dating:

Overdoor with Agnus Dei and emblems

Object Type:

overdoor

Epoca:

Inventario:

MSA 2903

Misure:

Unità di misura: cm; Altezza: 68; Larghezza: 188,5; Profondità: 12

Tecnica:

pietra nera di Promontorio

Descrizione:

Rectangular surmount with list frame decorated with leaves; in the centre, within a wreath of leaves surrounded by plant motifs in relief, the banner Agnus Dei. The Agnus Dei has its nimbate head turned backwards and its right forepaw bent down to stop the staff of the ensign. On either side are two chiselled shield emblems.

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Titolo dell'opera:

Perspective view of the city of Savona in the 17th century

Acquisizione:

Eugenio Cattaneo 22/10/1931 - acquisto

Ambito culturale:

ambito italiano

Autore:

Anonimo

Object Type:

painting

Epoca:

Inventario:

3500

Misure:

Unità di misura: cm; Altezza: 155; Larghezza: 180

Tecnica:

olio su tela

Ultimi prestiti:

ex museid

Descrizione:

Due to its coastal location, which makes it the most important port on the western Ligurian Riviera, Savona was often threatened by lords and powers who coveted control over nearby Genoa.

Contested by the Byzantines and Lombards during the Middle Ages, it became a free commune in 1191. More than three centuries of alternating fortunes followed: the economic growth of the 12th and 13th centuries was followed by a period of stagnation that lasted until almost the middle of the 15th century. In the second half of the 15th century, the city experienced an economic and political recovery, favoured by several factors, including the election of two Savona nobles as popes: Francesco Della Rovere (Sixtus V), pope from 1471 to 1484, and his nephew, Giuliano Della Rovere (Julius II), pope from 1503 to 1513. Around 1460, the young Christopher Columbus moved to Savona: with the decline of the political power of the Fregoso family, for whom his father Domenico had fought, his future in Genoa had become uncertain. Savona was also a good place to do business, thanks to the city's modest size, its connections with Piedmont and the Po Valley, and its port, which also benefited from the nearby roadstead of Vado. Here, Domenico practised the art of wool-working and ran a tavern. Christopher helped his father in his business and thus had the opportunity to embark from Savona on numerous voyages that would take him to the coasts and ports of the western Mediterranean. Perhaps it is no coincidence that the only Ligurian place name in the Caribbean Sea is Saona: this is the name given to a beautiful island south-east of Hispaniola. Columbus left Savona at the age of twenty-five. In 1528, the Republic of Genoa decided to subdue once and for all what it considered not only a competitor in trade but above all a destabilising factor for the Rivieras, which were the object of the ambitions of the neighbouring Duchy of Savoy. But Columbus did not witness this: he had already been dead for over twenty years. The painting depicts Savona after the Genoese conquest of 1528, as evidenced by the Priamar fortress to the left of the town. It is considered the oldest view of the city.

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Titolo dell'opera:

Slab with head of Janus

Autore:

Varni, Santo

Object Type:

high relief

Epoca:

Inventario:

MSA 2319

Misure:

Unità di misura: cm; Altezza: 77; Larghezza: 54; Profondità: 19.5

Tecnica:

marmo bianco

Back to Focus:
Descrizione:

It comes from the Acquasola Park in Genoa, where it was walled into the retaining wall towards Via dei santi Giacomo e Filippo. It was probably originally intended to decorate an arch key. Slab with a high relief depiction of the crowned head of two-faced Janus, consisting of a bearded male face on the left and a beardless youth on the right.

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Titolo dell'opera:

The island and city of Chios

Acquisizione:

Paolo Vassallo 22/01/1907 - acquisto

Ambito culturale:

ambito italiano

Author/ School/ Dating:

The island and city of Chios (Scio)

Object Type:

painting

Epoca:

Inventario:

3317

Misure:

Unità di misura: cm; Altezza: 140; Larghezza: 216

Tecnica:

olio su tela

Ultimi prestiti:

ex museid

Descrizione:

Christopher Columbus visited the island in his youth, where he developed his plan to find an alternative ‘route to the Indies’ to the one that had been blocked by the Turkish advance. The painting depicts the Greek island, a Genoese colony since 1346, famous for the production of mastic, a resin extracted from the mastic tree.

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Titolo dell'opera:

Janus

Autore:

Della Porta, Guglielmo - Della Porta, Gian Giacomo

Object Type:

sculpture

Epoca:

Inventario:

MSA 3685

Misure:

Unità di misura: cm; Altezza: 99.5; Larghezza: 64; Profondità: 32

Tecnica:

Marmo bianco apuano

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Descrizione:

The bust was identified by Santo Varni in 1866 with the one commissioned in 1536 by the City Fathers to Gian Giacomo or Guglielmo Della Porta for a fountain to be erected in front of the Church of Sant'Ambrogio. The fountain was later moved to Piazza San Domenico in 1628 and from there to Piazza Marsala during the 19th century. In the 19th century, the bust of Janus, detached from the structure of which it was originally part, was mounted on the dome of the aedicule in Piazza Sarzano. In 2001, it was transferred to the Museum of St Augustine. Statue of Janus Bifrons with double bearded face.

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Titolo dell'opera:

Landing of Christopher Columbus in San Salvador

Acquisizione:

Fiaschi-Agarini 15/02/2008 - donazione

Autore:

Fiaschi, Sergio

Object Type:

three-dimensional

Epoca:

Inventario:

4518

Misure:

Unità di misura: cm; Altezza: 44; Larghezza: 81; Lunghezza: 43

Tecnica:

legno

Descrizione:

The diorama reproduces the beach of the island of San Salvador, the sea and the 3 caravels at anchor.

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Titolo dell'opera:

Globe of Nuremberg

Acquisizione:

1998 Genova - acquisto

Author/ School/ Dating:

Globe of Nuremberg

Object Type:

globe

Epoca:

Inventario:

4366

Misure:

Unità di misura: cm; Diametro: 100

Tecnica:

cartapesta dipinta

Back to Focus:
Descrizione:

Painted papier-mâché globe, copy of a 15th century original.

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Titolo dell'opera:

Genoese galleon ‘S. Matteo’

Acquisizione:

Ing. L.G.Boschi 21/10/1948 - donazione

Ambito culturale:

ambito genovese

Autore:

Mambriani, Marco

Object Type:

model

Epoca:

Inventario:

4230

Misure:

Unità di misura: cm; Altezza: 55; Larghezza: 30; Lunghezza: 70

Tecnica:

legno

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Titolo dell'opera:

Quadrant

Author/ School/ Dating:

Quadrant

Epoca:

Inventario:

3960

Misure:

Unità di misura: cm; Varie: Diametro: 36

Back to Focus:
Descrizione:

Reconstruction of an ancient instrument.

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