The okra

Vittorio Emanuele II 1866 Genova

Rayper, Ernesto

GAM34

Unità di misura: cm; Altezza: 58.5; Larghezza: 140; Varie: Altezza con cornice: cm 93.2

Olio su tela, cm. 58,5 x 140

Mostra della Società Promotrice di Belle Arti - Torino - 1865

Painting on canvas in rectangular form depicting a coastal landscape. The canvas is signed twice and dated in the bottom left-hand corner.

After the storm

Vittorio Emanuele II 1866 Genova

Luigi Bechi (Firenze, 1830-1919)

GAM92

Unità di misura: cm; Altezza: 60.5; Lunghezza: 176.3; Varie: Misure con cornice: altezza cm 101; lunghezza cm 217.8

Olio su tela, cm. 60,5 x 176,3

Rectangular canvas painting with frame.

Viareggio Beach

Vittorio Emanuele II 1866 GE/ Genova

Cabianca, Vincenzo

GAM33

Unità di misura: cm; Altezza: 40; Larghezza: 77; Varie: Misure con cornice: altezza cm 56.5; larghezza cm 94

Olio su tela, cm. 40 x 77

Canvas painting in rectangular form depicting the beach of Viareggio, Tuscany, showing two people walking and a low wooden construction.

The baths at the Lido di Albaro

Villani, G. 1941

Eugenio Olivari (Genova, 1882-1917)

GAM1205

Unità di misura: cm; Altezza: 76; Larghezza: 90; Varie: Altezza con cornice cm 90

Olio su tela, cm. 76 x 90

Rectangular canvas painting with frame.

Genoa Riviera. The rock of Quarto

Ospedali Civili GE 1928 Genova

Serafìn Avendaño (Vigo, 1838 - Valladolid, 1916)

GAM0944

Unità di misura: cm; Altezza: 85; Larghezza: 130,5; Varie: Misure con cornice: 99,5 x 143,8

Olio su tela, cm. 85 x 130,5

GAM, sala di Nicolò Barabino

L'amore che doma la forza

Vittorio Emanuele II (Legato Principe Odone) 1866 Genova

Santo Varni (Genova, 1807-1885)

GAM0940

Unità di misura: cm; Altezza: 85; Larghezza: 62; Profondità: 90

Marble, 85 x 90 x 62 cm

The marble sculpture, of which the preparatory sketch in patinated terracotta is also preserved, is the work of sculptor and archaeology scholar Santo Varni. It was part of the collections of Prince Odone of Savoy, donated by King Victor Emmanuel II to the city of Genoa in 1866 after the untimely death of his son. Odone commissioned the work from the Genoese sculptor, whom he knew well, as Varni was linked to the circle of intellectuals and artists that surrounded the young Savoy and had been his teacher and advisor in establishing his collection.

Fantastic views of Italy's main monuments

1898 Genova

Petrus Henricus Theodor Tetar van Elven (Amsterdam, 1831 - Milano, 1908)

GAM 471

Unità di misura: cm; Altezza: 252; Larghezza: 353

Oil on cavas, 252x353 cm

The painting is conceived in appearance as a grandiose 'collage' of all the symbolic monuments of the most important Italian cities to avoid censorship problems, but in reality it is conceived as a sort of pre-manifesto of Italian Unification. On the far left of the canvas there is a partial view of the Lanterna in Genoa, to bring together, through the most recognisable and symbolic architecture of the peninsula - from the cathedral in Milan to St. Mark's in Venice, from the Leaning Tower of Pisa to St. Peter's in the Vatican to the smoking Vesuvius in the Bay of Naples - all of Italy under the Savoy flag. The depiction of Sicily is missing because Giuseppe Garibaldi would leave with a thousand volunteers to annex it to the Kingdom of Italy only two years later, on 5 May 1860.
The large canvas, painted by the Dutchman Petrus Henricus Theodor Tetar van Elven, one of the artists closest to the reigning dynasty of Savoy, belonged to the Marquis of Mazzinian ideas Filippo Ala Ponzone. This view brings together all the symbolic monuments of the most important Italian cities. On the left is a partial view of the Lanterna di Genova, followed by other symbolic buildings: Milan Cathedral, St Mark's Basilica in Venice, the Tower of Pisa and St Peter's Basilica in the Vatican. On the right is Vesuvius overlooking the Bay of Naples. View of Genoa

Ippolito Caffi (Belluno, 1809 - Lissa, 1866)

Olio su tela, cm. 54 x 82

View of Genoa

Lunganelli, Elbano 1974 RM/ Roma

Carlo Bossoli (Lugano, 1815 - Torino, 1884)

GAM1981

Unità di misura: cm; Altezza: 39; Larghezza: 70.5; Varie: Altezza con cornice cm 58.5
Larghezza con cornice cm 90

Olio su cartone, cm 39 x 70,5

Painting on cardboard in rectangular form with frame.